Sonnet Reversii

This sonnet form was invented by  Visalakshi , aka  Vive la V on Allpoetry

Here are her own requirements:

(1) Stanzaic : quatorzain, or octave and sestet.

(2) 10 syllables, except in the final couplet, which could vary: 10 or 11, but both L13 and L14 should be the same syllable length

(3) It is lexical where the last word of the first stanza becomes the first/ or beginning of the first word of the second stanza. This pattern continues to the end.

(4) The sonnet ends with the same word with which it begins, yes it is a requirement.

(5) Must rhyme. Rhyme pattern abab cdcd efef g’g (or gg) (near rhymes or exact rhymes)

(6) Volta in L9 or L 13

(7) For this form there is no metric requirement. It is optional.

Here is my example

We have What's Needed     (Sonnet Reversii)

Within us all is something from without. 

Without a doubt there's much I can adduce, 

adduce some things for you to think about. 

About our doubts we have a real excuse. 

Excuse me when I claim man's not correct, 

correct in thinking gods must be required. 

Requiring dogma leaves a disconnect- 

a substitute for answers much desired. 

Desiring knowledge is, and must remain -

remain a trait to which we must attend. 

Attend to learning; try not to complain. 

Complaining sigh won't help us to contend- 

contend with knowing, "How'd it all begin". 

Begin assured, we've all we need within. 

© Lawrencealot - April 1, 2014

Visual Template

Weaver's Sonnet 2

This is a sonnet form invented by Tim Weaver, aka Poeticweaver of Allpoetry.

It's only defining characteristic is the Rhyme scheme: abab cdcdefef ee

All normal sonnet options apply, meter and line length at the poet's discretion.

Here is a Visual Template for Iambic Pentameter

Sample Poem

Adam's New Girl

She comes to me from realms beyond our earth, 

a beauty with a mind beyond our own,
intending to assess all mankind's worth. 
Thus, I'm afraid to be with her alone. 
She knows our kind are greedy and unjust, 
as her kind were before our earth was here. 
I'm sure if I succumb to wanton lust 
I'll validate her doubts all bout our sphere. 
"Not so,", she said though I'd not said a word, 
"aggression, greed and hate can all go way, 
but losing human lust would be absurd." 
I'm here as Eve, with kinder DNA. 
I've chosen you, I'm glad you're not deterred, 
Undo my fittings while your lust is stirred." 

© Lawrencealot - October 10, 2013 

I deem this Contempory Steampunk verse

Visual Template

Sephallian Reverse Sonnet

The Sephallian Reverse Sonnet

was invented in April, 2013 by poet Dennis Nguyen, aka Sephallia on Allpoetry.com.

The poem is generally presented as a quatrazain since it is intended to be read either from top to bottom, or from bottom up.  There is no prohibition to

presenting it in stanzas.

The DEFINING characteristic of this form is that when read in the normal fashion, the poem has a pessimistic tone, but when read from bottom to top, it becomes and optimistic poem.

The rhyme scheme is abcdeedcbaffa and may optionally be written as a refrain sonnet as A1bcdeedcbA2ffA2A1.

Meter and line-length are at the poet's discretion.

Volta, which is recommended, but not demanded, can occur anywhere between L4 and L11. The poem can have one in each direction.

This is a challenging and rewarding form.

Example Poem

A Measure of Character(Sephiallan Reverse Sonnet)

What you are told in confidence

if you hold secret to your breast

reward will flow in unknown ways.

An urge to propagate a tale

to pique the interest of a friend

there can surely be no good end

when confidences you assail

a gentle whispered word betrays

when silence serves your honor best

Your revelation makes no sense

I'll never trust my thoughts with you

if other's secrets you will spew

If rumors gain some cognizance

From what you're told in confidence .

© Lawrencealot - April 15, 2013

Visual  Template

The template below represents an Iambic tetrameter

sonnet, without  a refrain.  the shaded lines indicate

where the refrains would occur if one were chosen.

Terza Rima or Diaspora Sonnet

The Terza Rima or Diaspora Sonnet, appeared in England in the 19th century. It makes use of the interweaving pattern and forward movement of the Italian Terza Rima. This variation of the sonnet is written in tercets with an interlocking rhyme scheme and concludes with a refrain or invocation in the form of a heroic couplet.

The defining features of the Terza Rima Sonnet are:
• a quatorzain, made up of 4 tercets and concluding with a rhyming couplet.
• metric, iambic pentameter.
• composed with a volta (a non physical gap) or pivot (a shifting or tilting of the main line of thought) sometime after the 2nd tercet.
• similar to the Spenserian Sonnet in which the poem progresses forward developing the metaphor, conflict, idea or question. The epiphany of the poem arrives logically in the couplet.
• rhymed with up to 6 rhymes with an interlocking rhyme scheme is
 aba bcb cdc ded ff.
• written so that the concluding rhyming couplet serves as a refrain or invocation.

Pasted from <http://www.poetrymagnumopus.com/index.php?showtopic=1043>

The first specifications I used and have posted above were from
http://www.poetrymagnumopus.com/index.php?showtopic=1043

The following I am adding on 10/05/12, as al alternative for I am suspect we shall find both versions
in the field.

Although purists state all sonnets should be Iambic Pentameter, any meter or line length may be used, as long as all the lines are of the same length and meter.
The rhyme scheme is that line 2 of each stanza rhymes with lines 1 and 3 of the following stanza, creating an interlocking pattern. In the final stanza, both lines rhyme with line 2 of the preceding tercet.
The Terza Rima sonnet has the following rhyme scheme,
A1. b. A2... b. c. b... c. d. c... d. a. d... A1. A2.

Pasted from <http://www.thepoetsgarret.com/sonnet/rima.html>


Example Poem:

Tell Me of Your Anger in Whispers (Terza Rima Sonnet)


Should you be moved to speak in anger, dear,
I ask that first you test your words alone.
You'll want to be assured your meaning's clear.

If anger stems from blunder of my own
You know that my concern will be repair.
Let's neither utter words we can't disown.

Be sure the words you say are truly fair.
Mistakes may not be cause for placing blame.
Delay harsh words, then later clear the air.

The words when heated likely will inflame
response I'd never give with common thought.
you know your dulcet tones will win the game.

My love, use whispers closely late tonight.
I love you, honey; I will make it right.


(c) Lawrencalot - September 25, 2012



A1bA2 bcb cdc dad A1A2 or  aba bcb cdc ded ff

Visual Template:

Fourteener

Meter: Iambic heptameter
Rhyme Scheme: That of any other sonnet.
Volta, That of selected sonnet form.


A Fourteener is used by some as an alternate term for sonnet.
However, poets have also used the term to mean a sonnet in iambic heptameter:
 fourteen lines, each with seven iambs (fourteen syllables).
You can use the rhyme scheme of any sonnet form you choose.
The problem with the fourteener is that you could just as easily break each
line into one line of iambic tetrameter (four iambs), followed by a line of iambic trimeter (three iambs). At that point, you're actually writing in common meter, or ballad meter.
No longer is the poem slow and introspective: it becomes a jaunty, sing-song little number.
Once we get beyond the Alexandrine ( Iambic hexamter), the lines tend to crumble into smaller sections under their own weight.
Here are some well known songs in ballad meter.

"Amazing grace how sweet the sound that saved a wretch like me.
I once was lost but now am found, was blind but now I see."

"There is a house in New Orleans they call the Rising Sun,
it's been the ru[in] of many [a poor] boy, and God I know I'm one."

"I'd like to teach the world to sing in perfect harmony,
I'd like to buy the world a Coke and keep it company."

This shouldn't dissuade you from trying your hand at the Fourteener form,
but you should work to justify the length of the lines by filling them with imagery and beautiful figurative language.


Example poem:

Dearborn, Michigan  Circa 1973

Detroit's hey-day. Navy done. Years as a cop and student done.
Before the internet. I was developing time-share code.
This was supposed to be our time- and when work consumed me
She left. We split our rentals, split the kids and then she split.

She followed breasts with teasing cleavage into tavern's dark.
The red and blue of neon beer signs turned the smoke now high
above the green felt table to a bluish Christmas mist.
The betting stopped; each man wanted what I had caressed and kissed.

A humming filled my head, my breathing ceased.  She needed more
she said; Yet now, tonight she is without and trolling bars.
I'd cried myself dry by now, but the want and loneliness
slammed to the surface.  Folding wining cards I scooped my cash.

Adjusting to the dimness she saw me, turned to depart.
I begged her to let me be her night-- then went home and cried.

© Lawrencealot - September, 2012